Art commission
one1one
Year
2018
Medium
Single-channel video with 10-channel sound (8:30 mins); bespoke video synthesiser; installation environment
Artistic Residency
Collide
hrm199 (Haroon Mirza & Jack Jelfs), one1one, 2018. Installation view, Broken Symmetries, FACT Liverpool, 2019. Photo: Drew Forsyth.

one1one examines language as a human technology

When describing fundamental physics, we use mathematics, which is defined as a sort of universal language. But the more we discover about the fundamental laws of the universe, the less the ‘real world’ makes sense.

one1one questions one of the dominant themes of 20th-century philosophy (and increasingly science): what is an appropriate language to describe the world, and how does that choice determine what can be known?

It fictionalises a situation in the year 4250, where spoken communication is rendered archaic and defunct due to supernatural, mystical and spiritual phenomena.

A video manifesto, combined with electric circuits which generate light, sound and disruptions to moving image creates a seemingly synesthetic installation. one1one examines language as a human technology: drawing on incantation. Through this series of sensorial stimuli, hrm199 aim to scrutinise the limitations of how human language can make sense of things, particularly the contradictions of meaning which can occur when it is used to describe fundamental science.

Credits
This work was developed as part of Arts at CERN's Collide Award, in partnership with FACT, Liverpool (2015-2018) and was co-produced by ScANNER.
Support
Lighthouse, Brighton.
Broken Symmetries, FACT Liverpool, 2019. Photo: Drew Forsyth.
hrm199 (Haroon Mirza & Jack Jelfs), one1one, 2018. Installation view, Broken Symmetries, Kumu, Tallinn, 2020. Photo: Drew Forsyth.
Drag to discover more
Links (3)
Quantum / Broken Symmetries
Arts at CERN
hrm199 (Haroon Mirza & Jack Jelfs),
Arts at CERN
Haroon Mirza & Jack Jelfs launch The Wave Epoch
Arts at CERN
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