CERN Accelerating science

Croatian artist Tomo Savić-Gecan almost as a rule exhibits "nothing". Conceived in the manner of tabula rasa, his projects function as empty sites filled with various charges, concealed tensions, references and interlinkings. By intervening in space, the basic ‘material’ of his work, the artist initiates marginal, uncommon interactions between the space, viewer and the non-existent object of exhibition. Dematerialization, absence and emptiness are the consequences of the specific treatment of gallery space.